Monday, 28 May 2012

Crochet, crochet and more crochet

My right hand inflamed at the base of the thumb and I couldn't knit for a while, what to do? Crochet. This weekend had some beautiful weather where drying stuff outdoors was almost compulsory. So I have some finished items.  Pattern links are to Ravelry.

 I started with a Pax by the talented Aoibhe Nipax finished 

then I started a half-granny shawl... I got a little further than this start of half granny square
 but I can't find the second ball of Noro

 Then a chenille shawl
  chenille shawl


 Then I started into Argo, again by Aoibhe Ni
  one ball of noro
and the other ball of Noro can't be found (my house seems to eat noro!) there may have been some swearwords

 So then Venus another Aoibhe Ni Pattern

  venus blues

I stopped two sets of scallops before the pattern was supposed to end, I was running out of yarn and while I possibly could have finished up another round but the pattern ended that side.  This was the sky yesterday evening and I love the blue against the blue.  The clothes pegs we picked up in London at the Victoria and Albert Museum.

Knitting Shawl FInish

I have another post with some crocheted finished items, but this is a knitting project, I'm back knitting!! With one skien of the Ruca multy, made from sugar cane, which feels so soft I reckoned it needed to be a shawl or scarf or something but it's only 240m, I found the pattern Triangle Scarf Bonus Pattern and got stuck in, today has had a chunk of knitting because I've been suffering from some minor food poisoning and it's been a nice distraction. I finished what the pattern suggested but I had plenty left so I did another set of the diamonds and again another set of squares. Now there's 4g left of the yarn which I think is close enough! In reality it's a bit more ice-cream coloured, but the sun is washing things out. triangle shawl

Saturday, 19 May 2012

Winnings

I'm pretty certain that the link was via Twitter, someone pointing out a competition, they're pretty common, I enter if I'm eligible and if I like the prize and then largely forget about it.  A competition with Knitbot? There would be tonnes of entries, I'd never win.

And then I did!

I did a random trawl through the spam filter, clicking on a few to say no, these are not spam, to find one that shocked me, I had won!

So I provided my address, joked that I could provide one that had what could pass for a Postal Code (work is within the Dublin numbered areas), if the postal workers couldn't cope with Irish Addressing, and got back an email to say that all was well.  Less than a week later I got a parcel, yarn individually wrapped and the book begging me to start knitting.  And then my hand decided knitting was optional... I'm looking forward to playing with this yarn, eventually.

knitbot competition winnings

Don't you love how the stickers feature a chickadee and a lark? The yarns I got, I love the colours and the richness of the dye and they are so soft.  Now they may or may not be knit into things from the book, but there are a few patterns that will be knit.

The advice on working with drape in the book is quite interesting and I will use it for other things and adapting patterns.  Featherweight is the cover pattern and is begging to be knit!  Some day, after I finish up a few long-standing projects.

I'm hoping that this week, now that my hand has mostly recovered, that I can get back to knitting, I'm in the middle of some crochet at the moment and this last one should be finishable, this one I have all the yarn for in one place.  But that's for another post.

Tuesday, 1 May 2012

some history of Craft education in Ireland


From: History of the Irish Vocational Education Association 1902-2002 - Jim Cooke

This is pretty much one of the most dry books I've read.  There's a book underneath this text, a book about the development of education in Ireland and the changes in the emphases on what was taught, this is pretty much an account of the congresses and official moments of the Irish Vocational Education Association.  It took me a while but these are the mentions of fibercraft in the book.  This could be a good starting point for more research.

I will admit that a few other things that intrigued me crept in.  Mostly for dating of when they occurred, yes, Aeronautical Engineering has really nothing to do with fibercraft, nor does Wind-generators for Electricity but it just made me stop and wonder at the time.

My mother was a domestic science teacher and my father was a Woodwork and Building Construction teacher, which did colour some of my choices.  This is a launch-post for me for further research and I want to revisit some of the information at some later date.  However there is a request in for this one and I have to hand it back.

p 13. The trade subjects [for the Dublin Schools] would be: Joinery, cabinet-making, coach-building, wood-carving and photography; to which list they hoped the next year [1888] to add weaving, mechanical engineering and book-making. In addition a wide range of science and art classes would be held.

p 35: Illustration of Glengarrif Technical School - lace making class

p 40 Domestic Economy c 1902 11 teachers

p 43 3 scholarships to residential schools of Domestic Economy

p 44 St Louis World Fair 1903-04. The technical education section included "a collection of samples of the work now being done by pupils in teh technical and art schools in Ireland, including specimens of enamelling, mosaic, tapestry, embroidery, stained-glass designs and specimens of lace and crochet and other of the art crafts as they are at present taught in Irish art schools"

p 46 Home industries were also being encouraged by the department by providing teachers in Crochet, sprigging, lace-making and machine knitting.  [1906-07]

School for commerce and Domestic science at Rutland Square, later Parnell Square.

78. [in 1907-08] there was a system of itinerant instruction in Domestic Economy, manual instruction and building trade subjects, while crochet, sprigging and lace-making were taught and demonstrated in many areas also.

78 [1907-08] there were summer courses for teachers in 15 subjects and a special crochet course.

The industrial classes at Cahirciveen Presentation Convent were making good progress, as were  the crochet classes which were related to the same cottage industry locally.

93. Notice to Co Galway Farmers [1908-09] "Do you want to make money/ Do you want your daughters to cook your dinner, nurse you when you are sick, earn money at crochet, and make their own dresses? ... If you do, write to the County Committee.

98. [1909-10] The World renowned Irish lace, crochet and Embroidery industry, as well as our other home industry, was being aided and developed by the Department.

115-6 In a paper on 'small industries' Mr George Fletcher emphasised that machine embroidery needed to be taken up, as the age of hand industries was largely gone [1914], it was a question of economics over aesthetic - Ireland was sending linen to Switzerland to be machine embroidered.  The hand industries were not being completely ousted just as hand painting on cloth was not ousted completely by the three-colour machine process.  Various speakers, however, argued for the superiority of the hand, artistically, over the machine process.

Cork's Woollen factories at Douglas, Blarney and Dripsey were referred to by Mr J F Crosley ARCScI in his paper on 'Woollen Industries'. The need for technical education at managerial level as well as at operative level were emphasized.  There was a great demand for Irish tweeds and there was a secure future for the industry if it kept up with modern developments through technical education.  Mr TP Gill said he had tried to get the woollen manufacturers to meet, but failed; but the Department did five scholarships to the sons of small woollen factory owners to study in England and bring back the best modern methods, and this scheme was successful in a number of cases.

119 It may be noted, that Bolton Street College of Technology had introduced classes in aeronautical engineering in 1911

121 in 1907-08 the 689 teacher students were distributed as follows:

Experimental Science (physics, chemistry, mechanical science, botany and physiology & Hygiene) 300
Laboratory Arts 33
Drawing and modelling  136
Domestic Economy 58
Manual Instructors (woodwork & Metalwork) 10
Building Construction 29
Woodcarving 5
Domestic Economy 20
Hygiene & Sick nursing 19
High-class cookery 20
Crochet etc 39


153 - [1914-1923 chapter] About 800 boys received instruction in English, Arithmetic, Drawing, Elementary Science and Manual work in Wood and Metal, while 1,000 girls were taught English, Arithmetic, Drawing, Cookery, Needlework, and Knitting.

155 There had been 373 teachers trained in a range of special subjects from wool dyes and dyeing to lithography. (between 1914-1923)

169: [Miss Elizabeth Bloxham, Co Wexford, representing the Domestic Economy Instructresses in the Free State, proposed that domestic economy should be taught to girls in primary school] She said that there was some sewing in the primary schools but no cooking.

188 [1924-29]
Number of students enrolled in classes in technical schools 1924-1927

Course                                1924-25 1925-26 1926-27
Introductory                         1757 1881 1738
Commerce                         8811 9225 8390
Science (pure and applied) 3757 4009 4251
Handicraft                         1009 1104 1434
Domestic Science                 5354 5672 6521
Art                                         916         891         920
Miscellaneous                         204         227         722

Total                                21808 23009 23976

Number of Students enrolled in classes conducted under County Schemes of Technical Instruction other than established Technical Schools were

Course                                   1924-25 1925-26 1926-27
Manual Instruction                   2460 3274 3942
Domestic Economy                   4631 7138 6409
Home Spinning etc                    605  687          673
Lace Sprigging and Knitting    363  678          550
Irish                                         23330 25137 20909
Commerce                            884 2858 1626
Miscellaneous                          1352 1645 1328

Totals                                33625 41417 35437

212 [1933 congress] Mr J Earls, Principal, Municipal College of Technology, Belfast, delivered a paper on 'Technical Education in Belfast' and traced the history of the development from the textile school in 1884 to the present day College of 8,901 students and a staff of 351 persons.  There was "a strong element of social activities with a modern languages society, an alembic (distilling) society, a textile society, a training college students union, and a dramatic society."

275. [1943] Subjects quite definitely of use to 'occupiers fo small farmsteads.'such as the preparation and cooking of meat and vegetable dishes, preserving fo fruit and making of jam, bread-making, laundry, needlework and home crafts, and elementary hygiene were included in all such courses.

285. [from the 1930 act] Students between 14 and 16 years, whether in employment or not, were required to attend school for 180 hours in the yar, in effect, a day each week for 36 weeks.  The subjects for girls were Cookery, Dining and Cleaning, Needlework, Irish and English. For boys the subjects were English, Arithmetic, Irish and Woodwork.

291. Valuable courses in the construction of windchargers for rural lighting were given in 1942 in many centres whre the teachers of engineering had taken the summer course in that subject.  There was generally a large enrolment in these classes in the smaller urban centres than in county schemes.  In centres in County Wexford eight electrical sets were completed for use in rural areas. The best results were achieved in Mayo where over twenty sets were completed and installed.  In Carlow Technical School a demonstration on Rural Electric Lighting was attended by over 200 adults from a radius of ten miles.

297 [1947] A paper by Mr L B Jones, Greenmount and Boyne Linen Co. Entitled 'Training for Textiles', referred to the co-operation between the textile industry and VECs. Mr Gerard L'Estrange referred to a 'wonderful co-operation' between a textile factory in Athlone and Co Westmeath VEC.  Mrs Mary O'Rourke (Lenihan) a former Co Westmeath VEG member and minister for Education 1987-1999, whose father ran clothing factories in Athlone, recently recalled how "Mr Brendan O'Brien (the Vocational school Principal in Athlone) used to go to my father and they would place the boys and girls into General Textiles where there were a thousand in employment.  Now I am talking about the '40s and the 50s, there was a direct placement agency between Brendan O'Brien and my father."

303 The Vocational school exhibition, at the RDS Spring Shows in 1947 and 1948, had shown articles in wood, metal, craftwork, needlework, embroidery, and films showing work typical of the urban and rural Vocational Schools and of apprenticeship courses.

335-6
RDS Spring Show, May 1947; Exhibition of Work of Schools
Through the courtesy of the Department of Agriculture the Department was able to organise an exhibition of the work of the Vocational schools in the Show at Ballsbridge in May, 1947.  Specimen exercises in first and second year classes in Woodwork and Metalwork were on display, as well as finished articles such as inlaid desks, su/ga/n chairs, beehives, turf barrows, fire-irons, a set of iron gates, a brass gong and a concrete mixer.  Great interest was aroused by the working of a water ram from Naas Vocational School. A working model, showed how running water could be provided in rural dwellings by a self-acting water pump called a hydraulic ram.  Eight hundred leaflets explaining the operation of this pump were distributed to interested visitors.  Another exhibit which attracted much attention was a small hand-loom for making scarves, sent in by the City of Waterford Vocational School.

355 Congress [1956] concluded with a paper by Mr Sea/n Bohan, County Librarian, Co Galway.  He said school libraries were not mentioned in Departmental school reports and were neglected in Vocational schools. "A liberal education without books is unthinkable," he said.

361 [Congress 1957] Mr Michael Flannery, Wicklow County Manager, gave a paper on 'Utility with Beauty' and referred to the Town Planning Act and the need to create applied art in public buildings which would permeate into the houses of the countryside and the crafts of the people.

Ver Rev Fr T Mulvihill (Co Tipperary NR) said "The less of the glamour girl in the (Domestic Science) teacher the better... The rural Vocational schools should have girls ready to deal with poultry, pigs, cows and calves, rather than fancy stitches and queen cakes." Very Rev Canon Vaughan PP (Co Clare) said "Domestic Economy teachers were not glamour girls, they were very practical and close to the people and did everything from making calf baskets to cutting down cloth to make clothes fit children."

366 [congress 1959] Very Rev Canon Molloy, in his Presidential address,... welcomed the school organised activities of Macra na Tuaithe through it's rural science programmes e.g. the rearing of a calf of piglet, decorating a room, or knitting a two-piece suit. Macra na Tuaithe catered for 12-18 year olds...

367 To a resolution from Co Galway that a sufficient supply of teachers of art and arts and crafts, should be trained, Rev Bro Austin of Bray said that in the first Da/il, the Minister for Arts, Count Plunkett, had been an industrial artist and industrial design was greatly needed to be fostered in the present time.

372 "Like all other teachers, the Vocational teacher is primarily engaged not in filling pails with water, but in lighting fires, in starting chain reactions"

707-8 Industrial Training by VECs, report at the 1944 congress

7. There had also been many local VEC training schemes for Operatives in many of the new industries which had commenced since 1930, namely
2. The hosiery factories at Blackrock, Co Dublin
4. The Woolen Mills at Portlaoise and Kilkenny
6 The ready-made clothing factories at Cork, Drogheda, Dublin, limerick and Navan
11 Artificial Silk at Crolly, Co Donegal
14 the button factory at Manorhamilton, Co Leitrim
15 The Cotton Factory, Athlone

[the other mentioned are various other industries, non thread]

Monday, 23 April 2012

Lovely Knits for Little Girls - reivew


Book Depository Dublin City Public Libraries

Now as Ravelry doesn't have this title I searched for the author Vibe Sondergaard and found Labour of Love which features at least three of the patterns from this book, so below that's the patterns I've linked to below, and the reviews on Amazon.co.uk suggest that it's the same book  (so beware the offer from Amazon for the two together!).  The other suggestion to me that one may be a localisation of the other is that the needle sizing in Lovely Knits for Little Girl is solely in US sizing.

ETA: Taunton Press confirmed in the comments that this is indeed the case, they bought the US rights for Labour of Love and renamed it Lovely Knits for Little Girls.  

I got this title from Net Galley in exchange for a review.

This one I asked for, because, although I don't have any kids myself, I do have a 2 year-old niece, so I looked at this as an opportunity to get some patterns for her, I also used the opportunity of visiting Galway and meeting her mum to get her to have a look and offer her opinion.  To be honest there was nothing that she was urging me to knit, some it ranked a maybe.  I would have liked a few more more general wear pieces, a little more utility and a little less ornamental.

The book is beautifully shot and very well laid out.  Sized for 3-8 year old's.this is a book more for events than for everyday.  I could see several of the projects as being used for weddings or communions. 

The photographs are in colour, there are no schematics and they're made in pieces with side seams for the most part.  This was an e-book which required Adobe Digital Editions to read, I didn't come across an ebook copy on Amazon.  I also came across Lovely Knits for Little Girls in Hoggis Figgis in Dame Street and was quite impressed with the quality.  Looking through the book I'm not absolutely sure about the needle size listed, you might have to work with the gauge to get it right and if I was to knit some of them I'd be very tempted to knit some in the round or for some cardigans, as one piece, front and back to the armholes.  The patterns are mostly quite complex but there are a few that are more simple.


Starting with a Sweater section, the first is the Clara Alpaca and cotton sweater, described as a simple stocking stitch sweater with flared sleeves.  It's a statement piece, those sleeves are almost too big but it's a look that might suit a moment. Uses Rowan Alpaca Cotton and US 6 needles (listed as an Aran weight with 4mm needles)

Ruth Aran and Bobble Sweater, this is the pattern on the cover of  Labour of Love, short sleeved with  blackberry stitch and cabling, the sleeves are puffed and have a pattern running down them.  It's an a-line top.  Uses UK Alpaca DK and US 6/4mm needles.

Carolina high-neck sweater with ribbon.  An all-over cable pattern with an oversized look and a wide neck.  Knit in Rowan Lima with US 8  & 6 needles (5mm and 4mm), a worsted yarn.

Nora wide Aran Sweater with ribbon - Knit in Debbie Bliss Eco Aran with US 3 and 6 needles (3/3.25mm needles and 4mm needles), this is a trapezoid shaped jumper, which fastens at the back with a ribbon, a pretty simple honeycomb pattern covers this raglan jumper.

Matilda Round-neck Textured Sweater - using Rowan Cashsoft DK and US 6 & 10 (4mm and 6mm) needles this is an interesting jumper using texture, it's a raglan top, would probably work well in the round!

The next section is Cardigans, starting with Zoe Fan Stitch Jacket.  Knit in Rowan by Amy Butler Belle Organic Dk using US 6 (4mm) needles.  A fan stitch pattern decorates this one and it's fastened with a ribbon.  The bottom edge curves slightly the body is worked to the armholes and then worked as pieces from there.

Sofia Elf Cardigan with Fabric when I first looked at this one I almost missed the fabric piece, this requires sewing a gathered peplum with a slightly complicated piece that rises at the back.  The designer suggests that you could fasten with buttons and change the fabric.  Knit in Debbie  Bliss Eco Aran with US size 3 and 6 (3/3.25mm and 4mm needles)  This could also work as a shrug without the fabric.  It has some interesting details.

Elvira Frost Flower Cardigan - inspired by the Frost Flower stitch pattern this is knit in Mirasol Sulka (a bulky weight yarn) with US 8 & 10 needles (5 & 6mm) with short raglan sleeves, this fastens with one button on the front.

Maggie Grandpa Cardigan - an oversized cardigan with shaping and long-length sleeves, raglan shaping, this could last someone a few seasons.  Knit in Rowan Lima (a worsted weight yarn) with US size 4 and 8 needles (3.5mm and 5mm)

Marie Cardigan with Lace Edges - this uses Garnstudio Drops Alpaca (a fingering weight yarn) used doúble throughout, with US 3 & 6 needles (3/3/25mm & 4mm needles), this has a curved front and lace in the body and edging, the author suggests that you can use plain stocking stitch in the  body and only lace in the edging "cast on a few less stitches".  The cuffs are with the same lace as the edging.

Rosita Warm Wrap Cardigan is the cover pattern on the Lovely Knits variation. Knit in Rowan by Amy Butler Organic Aran with US 7 (4.5mm needles) it starts at the center back, it's an interesting garment.

Dresses and Tops is the next section.
Penelope Garter Stitch vest - this has a gather in the back, knit in one piece and only the shoulder seams sewn.  Using Mirasol Miski (a worsted weight yarn), and US 6 & 8 (4mm and 5mm) needles.

Holly Warm Loopy Vest, using loop stitch this is a mock fur jacket, with curved fronts uses Rowan Drift (a super bulky yarn) using US 11 (8mm needles). Knitted in one piece and fastened with a ribbon at the neck.

Bertha Shoulder Wrap is a shoulder wrap or caplet that is quite a classic style.  Knit in Louisa Harding Millais (a super bulky yarn) with US 8 (5mm) circular needles. Fastened in the front with a ribbon.

Isabel Cable and Little Branch Dress is a long-jumper short-sleeved style dress with a cable and bobble pattern that forms a tree and flower pattern. Knit in Rowan by Amy Butler Organic DK with US 3 & 6 (3/3.25mm and 4mm) needles.

Emilia Mohair Lace Dress - Rowan Kidsilk haze (laceweight) used double with US size 6 (4mm) needles.  There are no photographs of the dress full length. The author also suggest that it would need something to counter the transparency of the dress.  It has cap sleeves.

Skirts and Snoods is the next section.  Flora Layered Skirt is the first pattern, a skirt with layered leaves, knit in individual layers, knit in Louisa Harding Albero (worsted weight) with US 6 & 3 (4mm & 3/3.25mm)

Mia Raspberry Mini Skirt - using blackberry stitch knit in Rowan Pure Wool DK with US 3 & 6 (3/3.25mm & 4mm) needles.  This would need leggings to counter the somewhat see-through nature of the stitch.  It can be also worn as a cowl.

 Skye Big Wool Snood or Mini Skirt knit in Garnstudio Drops Eskimo (Bulky weight yarn) with US 10.5 & 11 (6.5 & 8mm) needles.  This is shaped with a large cables to the middle.

 The final section is Charming Accessories.  Starting with the Laura Frost Flower Hat and Poncho, again using the Frost Flower pattern, this uses only a few repeats in each piece.  Knit with Rowan Cocoon.  Bulky yarn using US 8 &10 (5mm and 6mm) needles, both seamed.

Naya Garter Stitch scarf and hat with eyelets - using Rowan Amy Butler Belle Organic Aran with US 6 and 7 (4 and 4.5mm needles) alternating colour and using a lace pattern, you could do this in one colour  but I'm not sure that it would be as effective.

Lastly the Olivia Mohair Scarf with Bobbles.using Rowan Kidsilk Haze (laceweight) used double throughout; using US 6 (4mm) needles, worked from the long-edge to the center.

Overall it underwhelmed me.  If you are looking for patterns for an event where you have a pre-teen girl this could be a good book, I wouldn't regard it as great for everyday wear.  Then again it would depend on the girl.

Thursday, 19 April 2012

Knitting lulls

I'm just coming out of a knitting lull. My hands decided that RSI flare would be fun, my back decided that moving was optional and my husband's job went away. It's also meant that my incentive to write has been missing too. Now I'm starting to come out of the physical and mental issues and hope to get back into blogging.  I would like to set up a template for my phone for reviews so I can work on it a bit more smoothly.

Here's hoping things contine to improve.

Wednesday, 4 April 2012

Knits For Nerds - Review

Other Locations
Book Depository Link Ravelry Link

Now I have to point out before I get started into this that this I got from NetGalley with the proviso that I review it.  Freebies are good, this is a limited time copy that I got for the purposes of the review.  The netgalley copy works on my netbook as it uses Adobe Digital edition that I don't have on my laptop (Ubuntu)

I had spotted this in Hoggis Figgis on Dame Street before and had glanced through it but the price they were asking for it seemed a bit steep for the one or two patterns that attracted me at the time.  The patterns also seemed to me a little unpolished and after looking at Ravelry, I have to say that buying it would involve seeing more finished projects and then making a decision.

This is a book designed to appeal to, well, nerds.  Fantasy, SciFi, comics and Manga and general nerdishness is covered here.

Patterns (links for patterns and designers - only linked for first mention- are from Ravelry) :

First section is Fantasy:
Alchemy Scarf- designed by Toni Carr -  inspired by the Alchemists tattoos in Richelle Mead's Vampire Academy series, this has occasional metallic patterns scattered throughout the scarf, knit in metallic embroidery thread.  I couldn't really get the overall effect from the pictures. knit with 4.5mm needles with Patons Silk Bamboo and DMC Embroidery thread.  Ranked Intermediate.

Hobbit Feet slippers - designed by Toni Carr - hairy feet slippers knit with thick needles. The hair is attached afterwards.  Inspired by Lord of the Rings. Knit in Lion Brand Hometown and Patons Divine with 8mm needles, rated intermediate.

Summer Queen - designed by Rilana Riley-Munson - inspired by Melissa Marr's Wicked Lovely and a nice shawl with a repeating panel of leaves. Knit Picks Comfy Fingering and 3.75mm needles, rated intermediate.

Dragon Rider Gloves - designed by Toni Carr - inspired by Naomi Novik's Temeraire series, lacework fingerless gloves. Araucania Nature Wool with 3.5mm needles, rated advanced.

Light of Eärendil Shrug - designed by Ashley Fay - inspired by Galadriel from Lord of the Rings, leaves, wide sleeve ends with star stitch, beading it is somewhat reminiscent of her pattern from Vampire Knits - Sidhe Shrug at the body and arms. Knit Picks Bare Shadow Lace Yarn, 4 & 5mm needles and rated advanced.

Baby Elf Beanie - designed by Toni Carr - a beanie with elf ears applied afterwards. Bernat Softee Chunky, 5mm needles, rated intermediate.

Mr Nancy's Hat - designed by Toni Carr - inspired by Neil Gaiman's Anansi Boys, with accompanying Mr Nancy's Gloves (with yellow gloves from the other book in the series American Gods) - the hat is felted and if I was to knit the gloves I would add a longer cuff, they looked a little too short on the model. Hat in Knit Picks Wool of the Andes, 5mm needles, intermediate. Gloves: Knit Picks Swish DK, 3.5mm needles, intermediate.

Secret Beaded Bag - designed by Toni Carr - a small beaded purse, probably suitable for dice or small bag. It looks like the beads are along the edge and on the drawstring, but the photographs don't make it very clear. Cushendale Worsted Weight, 5mm needles, Intermediate.

Next section is Science Fiction:

Horrible Gloves - designed by Toni Carr - inspired by Dr Horrible's Sing-along blog.  Buttoned fingerless gloves. Striped.  Knit Picks Swish DK, 3.5 mm needles, rated intermediate.

Cunning Scarf - designed by Toni Carr - inspired by the Jayne Cobb Hat. Knit in Knit Picks Swish DK, 5mm needles, rated easy.

Cunning Socks - designed by Laura Hohman - again inspired by the Jayne Cobb hat this is a pair of mismatched striped socks.  Knit Picks Swish DK with 2.75mm needles, intermediate.

Space Princess Hats - designed by Genevieve Miller - inspired by Star Wars and Princess Leia, the body is the same but the pattern allows for "hairsyle" variations. Knit Picks Gloss HW, 4.5mm needles, intermediate.

Padme's Battle Cape - designed by Linda J Dunn - the pattern is on the front of the book, inpired by Padme in Star Wars, knit in Berroco Comfort with 5.5mm needles, rated intermediate.  This is pretty basic.

Nest Generation Sweater - designed by Toni Carr - slash neck jumper inspired by Star Trek uniforms. Knit in Lion Brand Wool Ease with 4.5 and 5mm needles, rated intermediate.

Trek Girl Dress - designed by Toni Carr - mini-dress uniform from Star Trek, knit in Knit Picks CotLin DK, 3.5mm needles, rated intermediate.

Troublesome Toy - designed by Toni Carr - inspired by Tribbles from Star Trek, knit in Knit Picks Suri Dream with 5mm needles, rated intermediate.

Robot of the Future - designed by Marilee Norris - inspired by Cybermen from Doctor Who, but made cuter. Caron Simply Soft Heather and Brites, 3.25mm needles, rated advanced.

Time Traveller Scarf - designed by Toni Carr - a garter stitch Dr Who inspired scarf.  Knit in Plymoth Encore Worsted with 5mm rated easy.  This is only 15 stitches wide but 10.5 foot.  You'd need to be careful with the first and last stitch for an even edge.  There are a lot of patterns for this scarf with a variety of degrees of accuracy.

Aim to Misbehave Brown Jacket - designed by Toni Carr - inspired by Firefly with lace edging to the sleeves and bottom of this coat this is one pattern that I really, really like and want to knit.  Knit in simply cotton sport with 3.5mm needles, rated advanced

Next section is Comics and Manga.

Starting with the Super Awesome Fantastic Mega Super Cute Manga Leg Warmers - by Toni Carr - to get that manga foot look with wide boot legs.  made in Plymouth Encore Worsted with 5 mm needles, rated as intermediate.

Tank Girl Socks - designed by Laura Hohman - brightly striped knee socks inspired by the Tank Girl comics and film.  Made in Knit Picks Stroll Sport Sock Yarn with 2.75mm needles, rated advanced.

Top this Fascinator - designed by Toni Carr - mini-top had inspired by Death from the Sandman comics by Neil Gaiman.  Knit and then felted.  Knit in Cascade 220 with 5mm needles and rated as intermediate.

Creepy Filler Bunny by Toni Carr - inspired by Jhonen Vasquez, a pink felted bunny with weird stitched eyes.  Knit in Knit Picks Wool of the Andes with 4mm needles and rated as intermediate.

The Cat Woman Hat - designed by Callie Need - an oversized hat with cat ears. Knit in Lion Brand Jiffy with 6.5mm needles, rated as easy.  Not something I would knit.

Mystique by Toni Carr is a three piece adaptable piece that can be a sweater, a tube top, a halter top or a shrug.  Knit in Stitch Nation Full O'Sheep, with 5mm needles and rated as intermediate.

The last section is Other Stuff for Nerds

The Book Wizard is intended to carry an iPad or e-reader and has a strap, done in Gryffindor colours there's a suggestion you could also knit it in Slytherin colours (or Hufflepuff or Ravenclaw). Plymouth Encore Worsted with 5.5mm needles, rated intermediate.

Tie it on by Toni Carr is a tie with a double helix pattern travelling along it. Knit in Knit Picks Swish DK with 3.75mm needles and rated as easy.

Big Bang Guy's Sweater Vest designed by Toni Carr and Irene Basey - a v-necked tank top for men with cabling, I would regard it as unisex, inspired by the Big Bang Theory.  Knit in Lion Brand Wool Ease with 4.5mm needles and rated as advanced.

Big Bang Girl's Sweater Vest - designed by Toni Carr and Irene Basey -  based on Big Bang Theory's Penny's work uniform, this is a U necked fitted tank top. Knit in Lion Brand Wool Ease with 3.75 and 4.5mm needles, this is rated intermediate.  I think I would possibly knit one of these two, but honestly I have comparable patterns.

Real Genius Sweater by Toni Carr is an oversized sweater designed by Toni Carr which is an off-the-shoulder tunic/dress knit in Knit Picks Swish Bulky knit with 6.5mm needles and rated intermediate.  It's not something I'd knit for me.

Checkmate Laptop Bag - designed by Toni Carr.  A felted bag knit in Knit Picks Wool of the Andes with 5mm needles and rated intermediate, it's designed that you could use it both to carry your laptop and play games of chess on the checkerboard.

Mobius - designed by Toni Carr is a neck warmer Mobius with some added instructions to make a longer scarf.  Joined with a twist and then knit alternatively knit and purl rows.  Knit in Knit Picks Swish Worsted with 5mm needles and rated easy.

The book closes with abbreviations and clearly photographed with large needles techniques.

Conclusion: while a few of the patterns made me think twice about the book, overall it didn't impress me enough to make me want to buy it immediately.  There are 1-2 patterns that made me think about knitting them and maybe 2-3 more I'd possibly knit but I really would like to see them knit and finished a bit better before committing to the book.  I also think that a lot of the nerdishness comes from a generation younger than me.  The font was a little awkward to read on the netbook, I'd say it would be quite hard on a smaller screen.  In some ways it was good but in other ways I felt that there was some wasted potential in the book.  Many of the patterns were a bit predictable and there were a lot of similar patterns available already.

I'd borrow it or look carefully at it before buying, it might be your sort of thing but you would need to be sure.  It's not bad but there isn't enough there to make me buy right now.

Friday, 23 March 2012

Ruby Star Hat

Ruby star finished I'm slightly off my feet at the moment (I had x-rays today, the doctor thinks I may have broken something, now to wait for the results).  I decided that I would allow myself to start something once I had worked a bit on other projects.  The Three Tams Pattern had been on my queue for years and I think this variation was always going to be the one I was going to do.  I pulled some of my stash Aran Yarns and found a cream ball of Noro Cash Iroha  and a reddish ball of Noro Kureyon, and started working, two days ago...

Ruby Star Start Yeah, it's kinda addictive knitting, and I knit it two-handed, where you hold the yarn in each hand and throw with one hand and pick with the other.  I made myself learn this technique when I was doing one of the Art of Knitting Throws.  It's slow at first but you get used to it and it makes tensioning colour knitting a little easier for me.

The lower picture is in-progress.

I'd knit it again...

Monday, 19 March 2012

Lucky Finds

I collect knitting and crochet books and sometimes I find things that surprise me.  One day I was in an Oxfam and I found a book that kinda interested me, so I flicked through it.

Needlace bookInteresting but perhaps not completely my thing, wondering was there anything on Irish Lace I opened it up...









Needlelace 2
Needlelace 3wondering how the heck the loose crochet, and it's terribly fine crochet, stayed in.  I kept going, there were a few things as bookmarks including this, I suspect handkerchief holder with some very fine crochet edging.



I was also reminded me of a lucky find in a Society of St Vincent de Paul shop in Phibsboro.

Svdp 1 Looking at it, I was curious.
The side says 1 euro each.... Svdp 2

I think I gave them more than they quoted me.
These are the non-ball items.  I suspect that the blue crochet hook is early plastic, and is cut according to my husband rather than moulded as you tend to get today, and there's a very fine but very pitted hook among the items (size 4 Cross Fox Brand), it almost looks like it has been made by a blacksmith.  The Aero Stitch holder suggests that this fine crocheter was also a knitter.
Svdp 4 Svdp 3
I'm going to have to reverse engineer the motifs, or see if they're in one of my crochet books and try to finish what this crocheter started, or possibly just fasten them off and have them mounted in some way but I suspect they were going to be something and that would be more what the artist would have liked.

These aren't my only charity shop finds but the two of them have a special place in my heart.

Sunday, 18 March 2012

Future plans

At the end of last year I did an overview of some of my WIPs. Now it's time to make some plans about how to deal with them. All 16 of them.

There are a number of types of projects.  Apart from the "Good Gods why is this taking sooooo long to make" types I divide them into several categories.

The first type I have is those that are done but need time, a dry day and energy to block.  I have one left of those, Sherwood.

Second type needs buttons or zips
Purple Biker (1)
Purple Versatility (2)
Brown Windows
Purple Leap

Dice
In progress
Dianna (3)
Memories of Springfield (4)
Brown cardigan (5)
Victoria (6)
Carmel Knotty
Multicolour square (7)
Curve of Pursuit (8)
Leaf or Stay
Sock Yarn Quilt (9)
Aquaphobia

Ripped back and needs restarting
Blue Inara (10)

with Carmel Knotty in work, Aquaphobia socks as my travelling project and Leaf or Stay at home, no buttons yet for Brown Windows or Purple Leap, that makes 10 projects that are available to do.  I may have to find one of my 12 sided dice and use it to decide what I'm working on.  Why a 12 sided dice and not a 10 sided? 11 and 12 would allow me to start a new project.  Just looking at the projects many of them are on small needles in thin yarn and really that's part of the delay.  It sounds like a plan.